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Mimi's Story: Chapter 16:
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Celebrating the 4th of July
1959 party at the UCLA Veterans Housing Unit was the last time that we
would see most of the wonderful friends and neighbors who had been
so helpful to me during my important baby producing years. |
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Tawn was for just four weeks old when we
relocated to Richland, Washington. Richland is located in the
southern/ eastern corner of the state of Washington. It is desert. The
day we arrived, getting off the plane I spotted the newspaper
headlines which read, Hottest Spot in the United States. It
definitely felt that way. It was 93.9 F, but it felt even hotter
because of the dryness of the area. The precipitation recorded for
that day was zero. The contrast, coming from the beaches and cool
breezes of Santa Monica, comfortable 70s F, hit all of us. It felt
like we had walked into an oven. We soon found out that most of the residents slept in the basement during the hot summer months, most were employed by General Electric, and most rented their homes from General Electric. It was a company town. Win had made arrangements so that the truck loaded with our household items arrived at our house shortly after we did. Infant seats were very popular. It helped to keep Tawn cool. Here she is at 7 weeks old. She was a good eater. |
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Below is a little history of the area. |
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One of three Tri-cities in
South-western Washington: Kennewick, Pasco, and Richland |
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Hanford is, of course, the Central Washington facility built by the federal government during World War II to manufacture plutonium for nuclear weapons. Plutonium for the bomb that was dropped on Nagasaki came from Hanford. After the war the site was retained as the Cold War raged and the country wanted to keep nuclear weapons in its arsenal. During that period, a massive amount of waste from the manufacture piled up so that by the 1990s, Hevly and Findlay write, the sites mission was “cleaning up and managing the wastes produced during World War II and the Cold War.” Hanford is, by some accounts, the most polluted place in the United States. Not surprisingly, this isn't the first
account of Hanford's history. In fact, Findlay and Hevly wrote a narrative
history of Hanford under a grant from the Department of Energy. The grant
enabled them to travel to archives all over the country that held material
on the facility and to write a “pretty substantial narrative history,”
Hevly said. That history was used by the department as part of an
assessment of the historical significance of the structures on the site.
“There have been histories of Hanford that have been triumphalist,” Findlay said. “They say, ‘We made the bomb, it was dropped, we won the war and we armed for the Cold War. Then there are accounts that are accusatory. Hanford caused this problem, it caused that problem. I think we see ours as an attempt to get past those polarized accounts.” Instead, the two adopt what they call in the book a “middle way.” The books chapters take up different themes: Chapter one focuses on Hanford as an enclave of the federal government, chapter two on the communities around Hanford, chapter three on politics and chapter four on the economy and the environment. In all of these, Findlay and Hevly attempt to place Hanford in the context of its time and place. For example, some accounts have said that the federal government forced the Hanford facility on the state and the state suffered as a result. Findlay said that's too simplistic. “While its largely true the government did foist Hanford on Washington, people here used political means to shape the resource so that they got some things they wanted from it as well,” he said. “After the war, state interests were able to get the federal government to invest more in Hanford than it otherwise would have done.” Findlay and Hevly bring particular interests to their work on Hanford. Hevly is a historian of science and technology, and found it fascinating the way the engineers and technicians at Hanford were able to adapt the technology for their needs. “Hanford wasnt encouraged to develop new reactor designs,” Hevly said. “What they did was to keep a kind of idiosyncratic reactor design that was first built during the war operating at a very high level of output for decades by this sort of great technological creativity. The federal government hoped to shut down Hanford fairly quickly after World War II because the site was too close to the Soviet Union and impossible to defend, but whenever national circumstances created a demand for more plutonium, Hanford was able to deliver it, so the site went on and on and on almost despite the federal government.” Workers lay blocks of graphite for the C reactor at Hanford in 1952. All the reactors there were made of water-cooled graphite. Pipes seen in the walls carry the water. U.S. Department of Energy Findlay works in the area of urban history and was very interested in the communities around Hanford, especially the Tri-Cities. In the ‘50s, he said, local business interests began to emerge fighting for diversification in industries there. “The government warned people in Washington that too much farming right next to Hanford isnt a good idea,” Findlay said. “But people in the state pressed and pressed and pressed and got the federal government to back off and yield the claims to some of the land that was a buffer zone around Hanford.” Meanwhile, they maneuvered to keep the spigot of federal money flowing to the Tri-Cities, recruiting Henry Jackson to their cause even before he ran his first statewide race for senator in 1952. These days, many people are suspicious of nuclear power, but for many years, Findlay and Hevly say, local boosters touted nuclear plants as a way to build up the “underdeveloped” West. In fact, among the two historians first forays into research on Hanford was a conference they helped plan called “The Atomic West,” which produced a book of essays with the same title. “In certain decades people — governors, politicians — were even arguing for the importation of nuclear waste to the state because it was seen as an economic opportunity and part of the expertise here,” Findlay said. So Hanford is not a case of the evil government vs. powerless individuals. And Hevly said he and Findlay “wound up reacting against the idea that historians can serve as judges, that we can resolve all the issues about the past, that we can decide who was right and who was wrong, and who was noble and who was base.” Findlay added, “No matter how right we are in what we say, people have already staked out opinions about Hanford and Im not sure what we say will change those opinions.” Nonetheless, the two believe the subject is still a vital one. “Its not as if Hanford is ever going to go away,” Hevly said. “Even if the feds decide to bury everything and cover it with dirt and plant sagebrush over it and walk away from it, it will still be there because there will still be all kinds of stuff underground. “One of my students whose done work on Hanford himself reminded me that at the end of the regulatory process the federal government will declare that they've cleaned up Hanford and they're done. The state will be responsible from that time forward. So in the end it will come back to be a regional issue.”
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The dual-purpose reactor for Hanford was first proposed by the General Electric Co. in 1953 as a way to launch a civilian nuclear industry. "Business advocates saw dual-purpose reactors, designed to produce both plutonium electrical power, as the point of entry into the private nuclear arena," write University of Washington historians John M. Findlay and Bruce Hevly. "Under such a plan, a private company would build a reactor and power generating station, and the federal government would provide uranium fuel and retrieve it, process it to extract plutonium, and then pay the operating company for the plutonium while outside customers pay for electricity" (Findlay, 162). Pushed by local and state business interests, Washington's two senators -- Henry M. "Scoop" Jackson (1912-1983) and Warren G. Magnuson (1905-1989) -- began lobbying for the dual-purpose reactor as early as 1954. Jackson introduced a bill providing for construction of the dual-purpose reactor in 1956. It passed the Senate but failed to clear the House. "By producing both plutonium and electric power," Jackson told reporters, "the dual reactor literally converts swords into ploughshares" (The Seattle Times, July 23, 1957). In fact, since electricity would be a by-product and the plutonium would still be destined for weapons use, the metaphor was inaccurate.
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1960 Hanford Nuclear Reactor |
The Hanford Site is a decommissioned
nuclear production complex operated by the United States federal
government on the Columbia River in the Benton County in the U.S. state
of Washington. The site has been known by many names, including Hanford
Project, Hanford Works, Hanford Engineer Works and Hanford Nuclear
Reservation. Established in 1943 as part of the Manhattan Project in
Hanford, south-central Washington, the site was home to the B Reactor,
the first full-scale plutonium production reactor in the world.[1]
Plutonium manufactured at the site was used in the first nuclear bomb,
tested at the Trinity site, and in Fat Man, the bomb detonated over
Nagasaki, Japan.
During the Cold War, the project expanded to include nine nuclear reactors and five large plutonium processing complexes, which produced plutonium for most of the more than 60,000 weapons built for the U.S. nuclear arsenal.[2][3] Nuclear technology developed rapidly during this period, and Hanford scientists produced major technological achievements. Many early safety procedures and waste disposal practices were inadequate, and government documents have confirmed that Hanford's operations released significant amounts of radioactive materials into the air and the Columbia River. In 1989, the State of Washington (Dept. of Ecology), US Environmental Protection Agency (EPA), and the US Department of Energy (DOE) entered into the Tri-Party Agreement which sets targets, or milestones, for cleanup. EPA and Ecology share regulatory oversight based on CERCLA (Superfund) and RCRA. The weapons production reactors were decommissioned at the end of the Cold War, and decades of manufacturing left behind 53 million US gallons (200,000 m3) of high-level radioactive waste[4] stored within 177 storage tanks, an additional 25 million cubic feet (710,000 m3) of solid radioactive waste, and areas of heavy Technetium-99 and uranium contaminated groundwater beneath three tank farms on the site as well as the potential for future groundwater contamination beneath currently contaminated soils.[4] In 2011, DOE the federal agency charged with overseeing the site, "interim stabilized" 149 single-shell tanks by pumping nearly all of the liquid waste out into 28 newer double-shell tanks. Solids, known as salt cake and sludge, remained. DOE later found water intruding into at least 14 single-shell tanks and that one of them had been leaking about 640 US gallons (2,400 l; 530 imp gal) per year into the ground since about 2010. In 2012, DOE discovered a leak also from a double-shell tank caused by construction flaws and corrosion in the bottom, and that 12 double-shell tanks have similar construction flaws. Since then, the DOE changed to monitoring single-shell tanks monthly and double-shell tanks every three years, and also changed monitoring methods. In March 2014, the DOE announced further delays in the construction of the Waste Treatment Plant, which will affect the schedule for removing waste from the tanks.[5] Intermittent discoveries of undocumented contamination have slowed the pace and raised the cost of cleanup.[6] In 2007, the Hanford site represented 60% of high-level radioactive waste by volume managed by the US Department of Energy[7] and 7-9% of all nuclear waste in the United States (the DOE manages 15% of nuclear waste in the US, with the remaining 85% being commercial spent nuclear fuel).[8] Hanford is currently the most contaminated nuclear site in the United States[9][10] and is the focus of the nation's largest environmental cleanup.[2] Besides the cleanup project, Hanford also hosts a commercial nuclear power plant, the Columbia Generating Station, and various centers for scientific research and development, such as the Pacific Northwest National Laboratory and the LIGO Hanford Observatory. On November 10, 2015, it was designated as part of the Manhattan Project National Historical Park alongside other sites in Oak Ridge and Los Alamos.[11] Source: Wikipedia
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Most of the engineers and physicists relocated for the job. Few were locals. Everyone was friendly. General Electric provided bus service for the employees to the Hanford site. Win is in the back row, far left, in the white shirt, on the end. | ||
One of the public resources which I have never seen any place else was at the public library. Perhaps being a company town was the reason, the library had a toy section, not only to play there, but you could borrow the toys, just as you would borrow books. From wheelbarrows and tricycles, to building sets, it was a marvelous gift to the community. We borrowed and exchanged toys weekly. The ever changing toys, neighborhood children, TV's Captain Kangaroo. The women were friendly and the neighborhood children got along well. I was invited to join them to cut harvest asparagus, after the framer's workers had finished, so much fun. We also joined families when the strawberry fields were open to the community. Aury and Tawn had fun picking and eating strawberries on their own. I decided not to worry about the extra sand in their diet, since most of the other children were doing the same thing. One of the warnings which I was very grateful to receive was a warning about our weeds. Our house which had been unoccupied for a while had high weeds. The ladies advised me to call the company that rented our the house right away, because of possible snakes and rodents . I did immediately. It turned out that there were a bunch of newly hatched baby rattle snakes under our house. The weeds were cleared and children were allowed to visit our yard.
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The neighborhood children got along well. Although Aury, was only 20 months, he was accepted by children older then him. He loved books and was surprisingly verbal, with a retentive mind. Apparently he was explaining something about the animals in the book. |
I wonder what Aury was saying to Tawn in their private language. Was he sharing a secret, or telling her a joke? They were definitely friends. Oct 25, 1959, two days before Aury's second birthday. Tawn 4 1/2 months old. |
As we moved into October, the weather got cooler. The yard was kept weed cleared and Aury played outside. On the weekends, we enjoyed car ride exploring. Once got lost. |
For Aury's second birthday, I made hats with crepe paper, the way my aunts used to make for us. I also made a simple piñata, with a paper bag, decorated with crepe paper. I put slits on the bottom of the bag to make it easy for the children to break it. For all the children, it was probably their first experience with a piñata. I don't recall any Latino presence. Per Aury's request, the cake was decorated with iced animal crackers. Because Aury was speaking in complete sentences, although it was his second birthday, he received some cards for a three year old.
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Soon after the birthday party we added a
new member to our family. Rana was a full-blooded
German Shepherd, with all the innate intelligence, gentleness and
loyalty that anyone would want or expect. She was with us
throughout her life of almost fifteen years. She was with us, as
we moved four different times. She adjusted well each time,
never a threat to neighbors or children. She was a sweetheart.
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In addition to the responsibility of
caring for Aury, Tawn, and Rana, I got involved with the Richland
Community Light Opera Company. Win was very cooperative. I
just had to have the children, fed, bathed, and in bed before going to
rehearsal. I was warmly welcomed by the company. I loved the
experience and the memories of participating with such a professional
production, a huge cast and orchestra. Below are a couple of articles,
about me performing in Carousel, their fall November 1959
production.
I played the role of Louise, which was a speaking part
and the dance lead. My dance partner, Bob Davis, played the role
of the Carnival boy. |
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Tri-City Herald Friday,
November 13, 1959 Ballet Experience Hellps With Show "When it comes to directing dance for musical,
you're strictly on your own ," says Lois Rathvon, choreographer for
the Richland Light Opera Company's" production of carousel." Taking the mail dance lead is Bob Davis who has appeared previously with The Light Opera Company's production of "Finian's Rainbow. " He is a technician at Hanford. LOIS HAS directed dance numbers in "Mikado," "Oklahoma, " "Finian's Rainbow," and "Showboat." In addition to ballet training in Tacoma and Seattle, she studied modern dance at Central Washington College of education. She has appeared in solo performances in Army shows at Hanford, Pasco Water Follies and Red Feather Concerts. Her husband, Hal Rathvon is a chemical engineer at
Hanford. Her daughter, Kathy 14, will appear with her in
"Carousel." Other dancers appearing Friday and Saturday
nights are E.Z. Block, Margaret Carter, Karen Crist, Marvin Gardner,
Diane Hill, Bob Loundagin, Candy Scott, Barbara Shields, Ann Simen,
Marion Scarpelos, Betty Swift, Judy Wall, and Margaret Weeks |
Caption under the photo: REHEARSALS - Lois Rath on, left, choreographer for "Carousel," demonstrates a position for dancers Mimi Holtzman and Bob Davis in preparation for the Friday and Saturday performances at 8 p.m. in Chief Joseph Auditorium in Richland. |
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Tri-City Herald, Talent in the Cities Every community has its talented men and women, . . .
girls and boys. Sometimes in our eager rushed to hear an artist
from a larger community, we quite overlook the really find talent we had
in our own community.
A bit of a newcomer to Richland, Mrs. Win Holtzman, is already associated with dancing groups and is pictured as she fashions a costume for herself, as two-year- old Aury looks on. |
After the last performance, an older
gentleman made the point of finding me after the show. He said
that he and his wife were from out of town, staying at a hotel, and had
enjoyed the production, both nights. He gave me a big compliment.
He said that my performance was much, much better than the actress who
played the role in the movie. I think I related emotionally to the part of Louise. My husband said that a lady sitting next to him was crying during the scene when Louise speaks of the neglect and her bitterness towards her father. Win said, "She was sobbing, loudly." With time and maturity, I look back and see how my father must have suffered from the death of his father. He was about 8 years old, with a younger sister, the two youngest in a family of nine. Surely his mother had her hands filled. |
I am on the left,
kneeling in front of and to the right of the children.. Bob
Davis, my dance partner is to the right of me. |
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I soon understood why the scheduled date for rehearsals and performance was before the snow season. Life certainly changed. The basement which afforded a cool place out of the summer heat was happily now a perfect place for keeping warm and playing with action toys borrowed from the library. Rana didn't mind the snow at all. |
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For Christmas, Mom flew two of my first cousins, teenagers, to visit during their Christmas vacation, Dena Chapa Rupert, holding Tawn and Laura Schultz Rettig. |
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Dena said that she and Laura both remembered that Laura dropped the cooked turkey which went flying across the floor. Funny, I don't remember the turkey falling, I do remember making arrangements for the girls to attend some youth activities being hosted by a Christian Church. I also remember our Christmas tree was different. I painted a dry tumble weed with gold paint and hung decorative pearls on it, left over from my wedding veil. |
One of my most spiritually meaningful memories of Richland, Washington was my first encounter with dry snowflakes. "The snow was totally different and contrasted greatly from the snow that fell in the Trinity National Forest, experienced during our year in Weaverville California. I remember looking out the window when it was first starting to snow. I could see the snowflakes falling, floating down like feathers, softly, carried by the breeze, swaying from side to side. I stepped out on the front stoop for a better look. The sky was sunny. The snowflakes seemed to melt quickly and disappear when they fell on the sidewalk or grass. I was wearing a sweater and stretch out my arms to see if I could catch some of the snowflakes before they reached the ground. I did, and it was a remarkable experience. I could actually see the complex and beautiful pattern of each snowflakes, each individual snowflake. It was pure joy. The magic of the moment, the beauty of the images have stayed with me. I'm am still awed. I could see them as if I were looking through a magnifying glass. The wonder was that each one was totally different. I had read that all snowflakes were different, and it was true. I could see it for myself. It was different, delicate and of complex patterns. I wondered if there was any way I could hold onto them, preserve their singular beauty; but, just standing there looking at them, as they rested on my sweater, I could see them slowly melting. It was 60 years ago. A rare experience, which I have never forgotten. Dancing was fun in Richland, raising Aury and Tawn in Richland was fun, but seeing God's magnitude, raised my appreciation of His greatness. He is a God who cares about detail, for even those of His creations whose undistinguishable life will be fleeting, He cares. He loves his creation. He loves us. In trying to find a photo of a snowflake to include, I came across this book, "Sky Crystals" by Don Komarechka. Author/photographer Komarechka explains the painstaking steps needed to fully capture the delicate snowflake. |
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Snowflakes: "Using a steady hand, an old mitten, and freshly falling snow, you can produce an image capable of sparking that childhood wonder in even the most jaded onlookers. Some people don’t believe my images are real, and that’s when I know I’ve created something worth talking about. Of course, some people simply think I’m crazy watching me take pictures of an old mitten in a snow storm. The entire crystal cannot be completely in focus in any one frame, so multiple images are used to put the final photograph together. 30-50 images on average are used in the creation of the snowflake photograph, though hundreds of images are taken to ensure that no slice of focus is missed. Each snowflake is shot entirely handheld,
without the use of a tripod. The images are created outdoors in cold
temperatures so the snowflakes do not melt, and only the freshest snow
will do; Snowflakes that have been resting for even an hour will begin
to lose their delicate crystalline features. Timing is everything!" |
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https://skycrystals.ca/ Do take an opportunity to view his book. The snowflakes photos are amazing. These are not lab produced crystals. These are nature produced snowflakes, of such detailed complexity, it is hard to grasp the wonder of our world. |
Timing was certainly everything for me being able to participate in one more Richland Light Opera production. Win had his resume in for several aerospace companies, to get us back to Los Angeles. He had an offer from North American, but all the particulars were not defined. The director for the spring production of "South Pacific wanted me to take the speaking role of Liat, the young native girl, who returns the love of an American sailor. Sadly I had to say no. I did not want to leave the Company in the situation of having to replace a lead part, if we left before the performance dates. However, it was fun dancing in the chorus. I am in the middle, on the floor, next to a boy with a white shirt. The performance dates were May 13, 14, and 16. Attendance to the spring productions was always to a larger audience, because of the weather.
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